April 2008

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Apr. 9th, 2008

The Internet runs on love

 



Clay Shirky's Here comes Everybody is one of the best books I have read about the Internet and culture. The last time I was this enthusiastic about an Internet culture book was when I read David Gauntlett's Web Studies, five years ago. When Gauntlett was writing the first edition of Web Studies most media theorists were talking about the internet without talking about the web. Bizarre but true. Most books were still talking about cyberculture and cyborgs and cyber punk which while I am sure was important to some people, bored me entirely to death. Gauntlett's book and his work online was my first source of insights into what the world would look like very, very soon. At that point, the book dazzled me.

Shirky develops on some of the nascent ideas about social change that Gauntlett spotted in sites like imdb and Teacher review and xena fan clubs then and sharpens them. Shirky popularised a phrase that I felt incoherently with my first brushes with the Internet and continue to feel each time I go online: The Internet runs on love. There's something about the altruism of the internet that stuns you afresh each time you go online. This is an elegant book that analyses the ways and means by which the Internet changes social organisations... everything from encyclopedias to Vatican II. The case studies are fresh, the themes are interesting and the insights very, very useful.

The book will be out with Penguin very soon. Buy it if you are even slightly obsessive about the internet.
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Apr. 3rd, 2008

Jonesing

Some odd conversation with Bottle Imp started me thinking. Who is my favourite character in Indian writing in English? I don't know! It should be shocking but it isn't... what characters has IWE thrown up so far that you feel attached to them afterwards... as if they meant anything.

My responses surprised me a bit.

Akilan of No Onions Nor Garlic ranked very high.

YoungUncle from Vandana Singh's series

Toby from one of the short stories in Nalini Jones' What you call Winter

Sartaj Singh from Vikram Chandra's Love and Longing in Bombay

Bharat from Kavery Nambisan's The Truth about Bharat (Almost)

The cook in Kalpana Swaminathan's Page Three Murders

Thin, thin, thin pickings...

Which ones are yours?

Meanwhile: I love Patricia but really! I mean really!!




Via: Patricia of Booklust

Mar. 13th, 2008

There be dragons and bandwagons

Last evening I wandered around in Mehrauli trying to locate someone I was supposed to interview. The cab-driver annoyed at being in dark, narrow lanes abandoned interest in the project fairly early on. He parked the matchbox and refused to budge. In the last few minutes of daylight, I saw that he had decided to park next to a bull. A huge bull straight out of the epics, mad as hell because of a skinny dog annoying it. So the bull was tossing his head and leaping about and the cab driver decides to park next to it. I am not a big believer in eugenics but I really hope he has no children. Anyway I snuck out of the cab and raced away. About thirty seconds later it was pitch-dark (Take the lane along the jungle, I had been directed on the phone. I had sniggered at the point but, what the hell, there are trees in Mehrauli.) The address matched what appeared to be an abandoned apartment building. There were no lights or signs of occupation. But there were an assortment of vehicles in the basement. I found a man squatting in the dark who said there was no lift and that I would have to walk up to the 4th floor. Even on the fourth floor there seemed to be no human beings. (Turned out there were plenty, but that's another story.)

As I groped my way upstairs, I was asking myself, why I felt such a strong sense of deja vu. Was it the perfect memory of a night about six years ago? My roommate and I had walked, as stealthily as we could, to the top floor of a dirty building where we thought a friend lay after being beaten up by our classmates. We had seen the grime and the broken glass of those stairs any number of times. But at midnight everything was terrifying. It is still jolting to remember that on the street, earlier, when we recognised the distinctive lopsided gait of one member of the lynch party, by his shadow, we had instinctively hid behind a wall. We didnt even need to tell each other that all of our classmates were such unknown quantities that they merited paranoia. Upstairs, we knocked for what seemed like a long time before our poor, battered friend answered the door. Later, my roommate and I compared notes. We had both thought that our friend had died. In reality, he wasn't badly hurt, just bruised and frightened. Usually tactiturn, it was near-impossible to prise the details out of him. We sat there for a few hours, holding his hand and trying to clean up his room. When the lynch party had arrived, his flatmates had considerately left the apartment, he said. After a while, he said that there had been some speculation among the mob about draining some petrol out of one of their bikes to set him on fire. One of the non-participating observers had demurred at that extent of permanent damage. So we had him to thank for the life and limbs of a frail, strange boy who was little more than an acquaintance.

The next day began the treks to the police-station, the discovery that friends had turned Judas, that there were acquaintances who said that the boy had it coming to him. Years later I wondered what would have happened if we had got there a tiny bit earlier, the two most unpopular women in that class. My ambitious, brilliant roommate had consistently made the rest of the class look stupid by being better at everything they wanted; I was wierd. I had slapped one classmate for feeling me up, threatened to break the Neanderthal jaw of another for feeling my roommate up. I wonder now what they would have done, those big hulking jeunesse doree.  (They all now work for television companies, advertising agencies and PR companies. They were already so compromised then, tongues black from lying, spines bent in slavery. Could they possibly be any worse now?) What had we been thinking running in the dark from our safe little house to the dirty lane in which that silly boy lived?

Fear flourishes as we grow older. As our parents grow malleable, as children look absurdly small, as your skin seems thinner. The impossible-seeming grotesquerie of newspaper columns shows greater possibilities of becoming your life. You could be the one gored by a bull, bit by a rabid dog, hit by a runaway truck, raped in the basement, broken in a dark stairwell. That could be you. Every day becomes tamer and you remember your random acts of courage, truth and beauty with shudders. 'Anything could have happened. How did I do that then? What was I thinking?'  In my case, each year has eroded the tiny store of physical courage I was born with.

What a comfort it is to sink into VI Warshawski's Chicago, a dirty corrupt town as familiar as one of our own dirty, corrupt towns. What a comfort it is to know Warshawski is that old-fashioned thing, a heroine. She jumps out of buildings onto moving trains, is beaten, slapped, jailed, tortured, betrayed and belittled. She is sweaty, dirty and constantly accused of being boorish or slutty or desexed. She is poor. What a comfort it is that at 43 she is still wishing for her mother and more money but jumping onto moving trains.

Like the crusaders, carry your sword and the Good Book into battle and let it be a Warshawski.

Feb. 29th, 2008

Booksonbooksonbooksonbooks

So I finally was persuaded to give ebooks a shot and i may be on my way to  being converted. On Wednesday I spent the whole day in bed reading books on my laptop. It was disconcerting to open microsoft reader and see that the library on my laptop already contained books with titles such as Interstellar Service and Discipline. (You are reading this, Certain Person, I know you are! Next time, warn me that you have left behind android porn on my laptop) After choking a bit, I started on the books I had downloaded. There is actually a murder mystery for every mood. Australian aborginal,Chicago gay, countryhouse parody, hardboiled futuristic, frilly with spandex, welsh priests... academic murder mysteries are dime a dozen now. I was in the mood for a bookish murder and was disappointed to not find Joanne Dobson (working class professor in snooty New England college keeps stumbling on bodies) online but I did find the first of the Dido Hoare series by Marianne Moore. Dido runs an antiquarian bookshop, has a father called Barnabas and a policeman lover. Only he is a wee bit married. Very nice.

I have also started reading the Thursday Next series. Comic detective fiction in a parallel dimension Britain where books are immensely important. Thursday next, our heroine, is a detective in the squad in charge of literature-related crimes (arguments about Shakespeare sometimes lead to murders). She has a pet dodo called Pickwick and in the first book, The Eyre Affair, somehow ends up inside Jane Eyre. It is beautifully loony and set in a world where Wales is a socialist republic and genetic engineering is really common.

Meanwhile has anyone caught sight of this insane goth-girl version of Jane Eyre, the illustrated version by *cough* Dame Darcy? It looks fascinating.



Once you get past the name, her illustrations are rather fun. Here is something nice called Dolls do Heroin. Not from Jane Eyre!



 

Feb. 24th, 2008

Howards End: Only don't connect

I haven't read EM Forster since I was 16 when I read them all in a fury of Merchant Ivory. From that point of pure ignorance and my dubious feelings about A Passage to India, I had to be told that my favouritest book Zadie Smith's On Beauty was a tribute to Howards End. Now, two whole years later, I am re-reading Howards End and enjoying it enormously. It is an incredibly energetic, witty novel, only foiled by my On Beauty flashbacks. I am halfway through the novel and still comparing it to On Beauty. This is a bad thing. Like being abroad and constantly converting local prices into rupees. Very unfair to a brilliant novel.

UPDATE: It's wonderful and wonderful. Go read.
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Feb. 8th, 2008

Out of the woodworks

Never say Kozhikode unless you want to meet Malayalees. I was on a postage-stamp sized dance floor in Jaipur and made the mistake of yelling a sentence including 'Kozhikode!' across at someone. (Why?Can't remember now) Three ladies leaped at me to mark me as a sister under the skin, since I had got the 'zh' right. The madly hilarious Sarayu Srivatsa, who only a moment previously had decided she was Gama, had gone into a deep wrestler squat and was slapping her thighs... stopped. 'Kutty! Me too!' she screamed.
Behind me I heard another yowl of sisterhood. And there was a leather-jacket wearing stylish woman I had been ogling in the afternoon , cooing 'Kutty! at me. 'Who are you?' She laughed and said, "Jaishree Mishra.'  'Mishra?" "Endu cheyaam?" she sighed. We giggled at  each other and she went away.  Later it was brought to my attention that I had asked Takazhi's granddaughter  whether she was a Malayalee.

In other news, I succumbed to the blitz about Sara Paretsky and bought Total Recall. I am happy to report that it was very satisfying. VI Warshawski is (barring Kathleen Mallory) probably the coolest detective ever. Of course with  Kathleen Mallory, one is told  over and over again that we can't like her. Warshawski, smartalecky, lovely, competent Warshawski is incredibly likeable. The plot is elaborate enough without being convoluted and the writing intelligent without sidelining the mystery.Now I am wondering about the Paretsky essays.

Jan. 27th, 2008

Catching up

Ask me about the Jaipur lit fest and I will tell you. But about the happy discoveries of the recent past...

Thrones, Dominations an incomplete Dorothy Sayers novel! Of course completed by Jill Paton Walsh with wonderful flair. This one begins soon after Harriet Vane marries Peter Wimsey. It fits perfectly into the two short stories that Sayers wrote about the Wimseys. Those are set in the future -- one on the night that Harriet Vane gives birth to a child and another five years later. Both of these stories can be found in Striding Folly.

I cannot deal with small towns. Please don't make me go. Please. When my feet hit the broken pavement of a big city I feel at home. And after Rajasthani men, I found myself thinking longingly of Haryanvi men. I assure you, longingly.

And a nice, silly band


Jan. 10th, 2008

This week I continue to be in love.

The only thing that could be better than lying in bed on a winter morning reading Anthony Lane is perhaps lying in bed with Anthony Lane.

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Dec. 16th, 2007

The Inn at Christmas

The house has been very different from its space-capsule self lately. First P&G arrived, then Snegum. After she left and P&G extended their stay, Bottle Imp arrived. Today P&G are in Agra, Bottle Imp is readying himself to go to the Sunday book bazaar and I am preparing to stay at home, clean house, work and write. I bumped into MinCat yesterday at CP and we both looked at each other's non-blog selves owlishly. I feel vaguely like an adult, because this is how I imagined my life as an adult would be like.

The house in Bangalore was like this 365 days of the year. The first time I took Bottle Imp home, it was 2 am on a Saturday. We walked in and found a bunch of various strange boys in the house and no sign of Brother, I could hear Japanese on the first floor.  Later  it turned out that they were the touring  Indian champions of gaming tournaments.  One Christmas I decided to round up all the people who would possibly feel bad about not having Christmas. I forgot to organise any food though. So three finicky gay men, a depressed Dutch giant and a priest who had just left the fold, sadly ate the worst biriyani known to man. On another occasion, the Valkyries were engaged in mortal combat and I woke up to their screams. I ran downstairs and found that Valkyrie 1 had scratched Valkyrie 2 and both were crying. I didn't have time to even wring my hands because I heard my neighbours calling out to me. These neighbours, an old couple hated each other and berated each other loudly all day and all night. Now was their chance to redeem themselves. When they asked sternly about the disturbance I was torn between wanting to giggle and wanting to waterhose them. The man even asked for my mother, as I were five and had broken his window with a cricket ball. I found myself telling the patently unbelievable tale of Valkyrie 2's brother's impending nuptials making her sentimental and weepy.

This house has been semi-permeable so far. I like that its changing. I like that we clean it and ten minutes later like the grubby little brother from Wee Free Men it becomes inexplicably sticky again. My need for order simply has to be let go for a while.

Bottle Imp and I are staggering under a load of new books, books borrowed, gifts of books. Many look marvellous. This one from Snegum and UR, for instance...

Dec. 7th, 2007

Channeling Hari Kunzru



Yesterday I was sent to a film premiere (which finally I didn't see because the thugs at the movie hall said that they had given away all the passes from the director's quota; this the director vehemently denied on account of not being in Delhi to do so. I think my shoes didn't cost enough to merit moving fat men out of seats.) I walked from Rivoli to Plaza planning to buy a couple of books and go home. At Rivoli, the woman who frisked me told me, " I like touching women all day." When I half-giggled, half-goggled... she said, " You are here for just a few seconds, shouldn't I be able to say something that makes you laugh?"

Outside Plaza, there was a furore because people could smell stars. They had lined up on both sides of the red carpet. One middle-aged man (who I suspect was one of the Martians who walk amongst us) asked everyone in sight, "What's going on? Who's coming?" The Naga girl standing next to me informed him, "Aamir Khan". This was completely wrong but as I found out, it didn't matter. The man said, "Aamir Khan?" (This whole conversation was in Hindi) " Aamir Khan? Is he a big star?" Yes, said the Naga girl.  The Martian then asked," Is he from America?" Half the crowd turned to stare at this ignorant apparition. Then we all turned away to stare at Soha Ali Khan who wafted out of a car and into the theatre on a carpet of smiles and flashbulbs. She was clearly a very pretty girl, but also something more since we were all there, standing in row to stare at a very pretty girl. She left and the crowd dissipated into thin air.

I walked across to the second hand bookshop and was looking at the stacks when I got a series of phone calls. The bookshop man thrust books at me. I nodded and refused, nodded and refused still talking on the phone, and he fine-tuned his understanding of what I wanted. Once he decided, I was given The Witches of Eastwick, a fabulous book that I didn't own a copy of. A second later, he handed me Hari Kunzru's Transmission. I flipped to the third page and read, "Around him Connaught Place seethed with life. Office workers, foreign backpackers, messengers and lunching ladies all elbowed past the beggars, dodging traffic and running in and out of Palika Bazaar like contestants in a demented game." I bought both books. In the train home I read of Arjun Mehta, his obsession with Bollywood, his love for Leela Zahir, a young movie star, his desire to be in 'Amrika'... the illuminated complexion of his NRI placement agent, the American girl who is outed to Arjun when outside the movie theatre her occasional girlfriend affectionately pinches her nipple .... Transmission is not the greatest book I ever read but the timing of its arrival made it one of the most surreal reading experiences I have had.

The book has a wealth of observation about techies, technology, the world of new media, and the old flavour of the bullshit that surrounds new media. It's ironic and funny. He describes the stewardesses' makeup and the lighting of airplanes as reminiscient of soft-porn. I laughed and laughed because all evening at the aborted premier I had wondered what the expression of the girls at the movie hall reminded me of.

What Kunzru gets wrong is dialogue in the Third World... which is strange because he gets accents and affectations of speech. But his Mehtas and Abdullahs and Aamirs all sound like silly caricatures. Worse they have silly names...altogether out of place in a smart book by a smart writer. The plot certainly required Arjun to be a sexual novice but I wished he hadnt been the naive, incompetent of a million crossover movies.

I haven't finished the book yet but can't wait to read the rest.

UPDATE: Very good, I say!
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Nov. 15th, 2007

Human Stain



I could quote Roth, great big chunks of what I just read and you would see the charm of his immaculate, robust prose. Zuckerman's voice in the Human Stain is as sure and as compelling as your Pallakad aunt telling you how she lives her life.  You can read the first chapter here.

The only other Roth I have ever read is Goodbye Columbus. While I thought it was very funny that is not this great feast of a book. This is a book that I bought yesterday, finished half an hour ago and desire to EAT.

The plot is strong and astonishing. I was reading at my usual stupid gallop and had to screech to a halt when the 'plot mein twist' happened. Zuckerman's commentary on America in the 1990s is gorgeous. The book begins with Zuckerman's contemptous discussion of America's righteous indignation over the Clinton-Lewinsky affair, makes larger statements for America persecuting zeal and mania for purity.

I am also grateful for another thing. Recently I read Paul Auster's Oracle Night and Ian McEwan's Saturday and their descriptions of sex bored me to tears in an identical manner. Both are books where the male protagonist spends great portions of the book speculating about their wives but their wives remain...er...mysterious and opaque. The sexual relationships were bland products of a schoolboy's imagination. Where is the power, the tug and pull? never mind. What can I say? Because we have Roth who gets it all perfectly. The central relationship between Coleman and Faunia comes alive in some wonderful passages. Zuckerman who is Coleman's friend and the narrator has his own pungent remarks to make which made me roll about laughing.

"My point is that by moving here I had altered deliberately my relationship to the sexual caterwaul, and not because the exhortations or, for that matter, my erections had been effectively weakened by time, but because I couldn't meet the costs of its clamoring anymore, could no longer marshal the wit, the strength, the patience, the illusion, the irony, the ardor, the egoism, the resilience-or the toughness, or the shrewdness, or the falseness, the dissembling, the dual being, the erotic professionalism-to deal with its array of misleading and contradictory meanings."

I rejoice that there are a dozen other Roths for me to read.

PS. Anthony Hopkins as Coleman and Nicole Kidman as Faunia? What a joke.

PSPSPS. An article that you should definitely read AFTER reading the book because it will ruin the book for you: Roth's inspiration
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Nov. 13th, 2007

Cannery Row



Will someone please tell me if Ed Mcbain was a fan of John Steinbeck? The seamless joining of love and compassion with cynicism... So much of Steinbeck's sentences reminds me of Ed Mcbain. (This is an asinine comment to make but complimentary as you would know if you have heard me raving about Ed.)

Cannery Row is lovely. Follow Mack and friends around Monterey as they redefine beauty and contentment. He wrote the book, he claimed, as "a kind of nostalgic thing.... for a group of soldiers who had said to me: 'Write something funny that isn't about the war. Write something for us to read -- we're sick of war."

A life-affirming and exquisite book.

Click on image to see a map of Steinbeck's America

Last night I dreamt I went to WH again




Mostly one comes to a book like WH, replete with its publicity, its lore. With Wuthering Heights if I have read any critical writing I don't recollect any of it. I do recall that the two contemporary reviews that Joanna Russ cites in How to Supress Women Writing were hilariously different from each other (one while Bronte was using her male nom de plume and one from after she came 'out'). But beyond that I don't remember what was supposed to have put this book in the canon.

So I began reading the book without much expectations and was immediately astonished by how warm and witty it is. It is a fast-paced book racing from incident to incident, unimpeded by being in reverse gear (All major events are recounted in flashbacks) When I first read it at 9 or 10 I clearly understood only 'what happened' and thought it very gloomy. Because 'what happens' is gloomy. People drop like flies and for no evident reason. Beyond that the immense perversity of Heathcliff must have been astonishing to the sane mind of a 9-year-old.

What I was fascinated by in this reading was how Bronte made this insane story so incredibly convincing. Long, tension-filled sequences...Cathy's unrestrained demonstrations of affection for Heathcliff in front of her husband, her huband's discomfort, Ellen holding her breath because she is convinced that the return of Heathcliff is going to wreak havoc...Heathcliff torturing everyone in sight... at no point do you feel impatient at what is after all patent melodrama. Very rarely do you look up and say, "Nonsense!" Perhaps it is because Ellen Dean, the housekeeper who tells the story is so practical (who wishes that Isabella, one of the raging young ladies would sweep and dust occasionally). Because she seems so normal somehow you feel like what she is empathetic to, you ought to be empathetic to as well. Perhaps it is because of the perfect dialogue.

But somewhere beyond the halfway mark I began to think that this book was Emily Bronte's mind-boggling writing exercise...the plot is inconsequentual. So what if it is a reinterpretation of the Gothic novel? This could well have been set in outer space and these characters could have been androids. It would not have mattered at all. (What it simply is not is a romance! I want to meet these people who think that Heathcliff is a romantic hero.)

This book can only be experienced as a strange serendepitous object... like an stunning person who inexplicably wants to sleep with you (mundane, slightly neurotic, hopelessly insecure you) and proceeds to do so for the sheer pleasure of it. No ulterior motives can ever be traced. You can only turn it over and over in your head and say, "But WHY?"

Nov. 10th, 2007

Saturday Barely Alive



If you have heard me raving about this many many times in the last week I am sorry but really Ian McEwan's Saturday! It is maddening. I will leave you to read the plot somewhere else.

McEwan has been criticised for putting the anti-war movement in the background like so much pretty foliage. Perowne, the protagonist who is a neurosurgeon has his mixed opinions about the war but mostly is for the war since he believes his Iraqi patients suffered in the Saddam Hussein regime. Alright...so one does not need Perowne to be a flag-waving leftie. One does not need him to be a flag-waving rightie. One does not need him to have magically charged or changed opinions by the end of the book. It does not work quite that way and its not an author's job to preach homilies. And to quote Annie, one cannot teach people anything.

But dude, what the hell happens to these characters? The perfect beauty of some McEwan sentences does not disguise the lack of tension in the damn plot. Beginning of story: Rich man, pretty children, lovely house, successful, loving wife End of story: Rich man, pretty children, lovely house, successful,loving wife. Not that I wanted him to lose a limb. Not that I wanted the characters to be unhappy. I am all for plotless charm and good cheer in fiction. I don't even imagine that the Perownes should be any less than the smug white people they are. Angsty Perownes would have been annoying. I don't need to like them. I just need to care, even mildly, about what happens to them. Oh what a overrated bore this has been. And Mr McEwan in re: the young Ms Perowne's poetry... it is similiarly dull. Britain's Bad Boy is now being read by PM wannabes...I guess we now know why.

The Guardian digested its digested read of Saturday thus:

McNasty serves up a McHappy Meal.

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Oct. 29th, 2007

Taking no joy in joyce




All these years of making uneasy jokes about Ulysses is catching up. Its no 1 on the guilt list Bottle Imp and I made last week. How I suffer now. Two episodes down I remembered the beautiful Irish boy who told me last year that the big mistake is trying to read it in a linear fashion. In violation of all precedent and habit I  have decided to skip ahead in search of Molly Bloom.

Every now and then I am taken aback by the beauty of a sentence then I go back to cursing the bloody project. Seen here is one of Matisse's sketches for the bloody book.
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Oct. 17th, 2007

Francine Prose





Reading like a Writer
is deeply satisfying. There is a chapter on Chekov which is particularly warm and affectionate. It really made me want to do a little more writing than I have been.
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Oct. 3rd, 2007

Windfall Fadiman

After a rather fruitless Sunday Book Bazaar trip I went to the shack near Plaza and found a perfect copy of this. Joy and perfection.



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Sep. 26th, 2007

The Queen of the Books About Books




Anne Fadiman has a new book At Large and At Small. Now I need to wait quietly until the paperback is out.
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Sep. 23rd, 2007

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In which strange things have happened

1. A poem I wrote is in print. I understand how absolutely idiotic my bio sounds.

2. I ate a bite of barbecued rib, one bite of chicken, a tiny prawn and and a whole hot dog. Its been 9 years since I last ate meat or fish.

3. Robert Jordan is dead. I started reading him in 1997. My brother, gaya, gaya's brother, paddy, spellcheck and great hordes of us got hooked and we joked about how he was going to die and leave us in the lurch without finishing the damn series. Now he is dead. I no longer care for his writing and I rarely read fantasy. But I am sad for all of us who read him for a decade...even 30 pages of Elaine bathing and the description of Andor's plumbing system.

Sep. 16th, 2007

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And they keep piling up

I am sure you have noticed like I have that great tonnes of new books set in the Middle East have silly names which work through Clash of Civilization juxtapositions. The list of the most irritating so far:

Reading Lolita in Tehran

Kabul Beauty School

Honeymoon in Purdah: An Iranian Journey

I want to add to the list.

Lipstick Jihad: A Memoir of Growing Up Iranian in America And American in Iran (not to be confused with Funny in Farsi: A Memoir of Growing Up Iranian in America

Salmon Fishing in Yemen (Reviewed here)


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