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Mar. 1st, 2007

Diaries of a lit groupie: Sunday

Snegum and I threw ourselves out of the house fairly early since this was going to be a packed day full of poetry and we also wanted to meet some friends in any window of time that opened up. Also, Snegum was clear that there was no way she was going home without having wet her feet in the sea.

Listen, do you have any clue what one should wear at a lit-fest? I have figured what to wear at a party thrown by gay men anywhere, to a wedding in Chennai in summer, to a play in Delhi in winter, at the World Social Forum and to lunch in Tiruvalla. What does one wear as a lit-groupie in Mumbai where one does not want to frighten people, look like a wallflower or look like one is trying too hard?

SB, writer and publisher, was wearing a black summer shift, making her look relaxed and leggy. The very lovely Tishani Doshi wore a saree immediately reminding us that she is a dancer who trained under Chandralekha. The elder statesmen of the poetry world, AK Mehrotra, Dilip Chitre and Adil Jussawala all wore neat, unremarkable pants-shirt-waistcoat combinations. Eunice D' Souza was wearing her trademark saree and smirk, making me think me of the dozens of brilliant Eunice-in-the-classroom stories I have heard. The flotsam and jetsam like me wore blindingly bright and ridiculously cheerful Tshirts and dresses. Today's venue was Prithvi theatre and its cafe. I saw KK Menon going by, looking tall and calm. What did Prithvi regulars make of the writerly lot, all of whom looked vague and few of whom looked like they got out much?


poyums )

Feb. 28th, 2007

Diaries of a lit groupie: Saturday

Mumbai is always a bit of a social confusion. Each time I am there I have to decide that I am not seeing some people whom I would dearly love to see. But I ALWAYS see Paddy whom I have known since I was ten. Paddy and I were bonded at the waist as children, holed up in rooms reading, smuggling books in and out and having hysteria over lines and passages that no one else found as funny as we did. (Particularly Rupert Baxter screaming 'Heh! Muh!' instead of 'Help! Murder' in Something New.) These days Paddy and I read very different things but she is still book addicted. Her Mahim flat is overflowing with the latest fantasy novels. At one point the kitchen shelves were full of huge, shiny books, instead of spices and vessels, something I adored her for. On Saturday after stuffing our faces at Mondy's, Paddy, Snegum and I went to a discussion at Max Mueller.   This is where I was going to catch Suniti, I hoped.

When we got there the session had not started but standing in the dark corridor outside the hall looking sweet and professorial was St.Suniti herself. She has the rare kind of face that has smiled so much at some point that it no longer needs to. Even Snegum, who is inclined to leap and start at the sight of new people, fell in love with her because she looks like her favourite kind of Maharashtrian woman.

The Diaries of a lit groupie: Friday



Britain now has a poetry boy-band. Four cute boys, with wicked faces and great hair who kissed the Blarney stone. They are funny, topical-political and perform with power-point presentations unfolding behind them. Members of  Aisle16 even have their own websites. They are really very cool but they are far too available to be very exciting to the perverse lit groupie. Certainly not for the kind of pilgrimage I made to Mumbai. AK Mehrotra and Suniti Namjoshi who hid in hills and moors and whose books were impossible to find any more. They were the ones whom I had to see and whose exhaled air I needed to breathe.

I used to think all poets were Byronic--

Mad, bad and dangerous to know.
And then I met a few. (Triolet)


Wendy goes on to completely dismiss poets' potential to excite but after Kitab I have to say that poets and writers, as dull as they may be off the page, as a congregation are supremely fun to watch. Ostensibly I was looking for Suniti Namjoshi to interview her but in the meanwhile there was a carnival of novelists, poets, writers, readers, performers, middle-of-first-novel-ers and general hangers-on.

writers etc )

Later at the same venue was a discussion between Tishani Doshi and Nirpal Singh Dhaliwal. Tishani Doshi, hot young poet and winner of the Foward Prize looked pretty, irritated and distracted for most part. Nirpal SIngh Dhaliwal was hip and articulate, straight out of the cast of a Gurindher Chada movie with his accent and big Kareem shoes. I love it when people ask questions which begin " I have not read your book but..." And for this session there was a juicy one. Man with inevitably smug voice asked, " I have not read your books but will either of you progress to writing about something beyond four letter words?" I ducked to hide embarrassed giggles. Nirpal tried to clarify that it was in character for his young male characters to be less than Miss Manners-like. Tishani glared and said that she did not use any four letter words. The Smug Unread then clarified that his coyly worded enquiry was more about Nirpal and Tishani's unseemly obsession with sex in their writing. While Tishani looked like an outraged china shepherdess and seemed quite capable of flinging a lightning bolt at the dolt, Nirpal Singh looked merely baffled at the doltishness.

Day one was quiet except for the entry of Snegum, the most outrageously wonderful Gujarati food and my smiling maternally and frightening a tall, nervous boy sitting next to me. It later occured to me that the nerdy child was Jyoti Guptara one member of the Guptara twins, the Olsen twins of the writing world. He and his brother finished the first draft of their fantasy novel when they were 11! At 20 they have a publicist and are doing book tours around the world. And here I was smiling kindly at what I thought was small paapu. The only story that matches this in misguided kindness is the one about my nicely brought up Kannadiga friend who beamed a grand-daughterly beam at an extremely old man at a lecture in New York without realising he was Edward Said.

End of Day One and no sight of Suniti Namjoshi yet. The beautiful volunteer (who panicked me because I had a six degrees of seperation connection with her) said she had no clue.  Arundhati Subramanium  told me that no one knew where any one was. It was an informal non stage-managed lit fest and that was its charm but where does one find a small fabulist in vast Mumbai?

Oct. 1st, 2006

Name-place-animal-book



Zadie Smith describes On Beauty as an old-fashioned novel.  It really is the kind of book you read as a kid, the kind that made you feel melancholy and cheated when it was over. Because it had no business getting over. The houses and streets of mythical university town Wellington are now familiar to me but I am not going to get to go there anymore.

Some people try gamely to get back in the book because the locations are real. Mad Bindu went with a notepad and a crisp copy of the Da Vinci Code to all the English locations in the book. (Bottle-imp tells me that when he was in Salzburg The Sound of Music house had closed its gazebo to tourists because an 80 year old broke her hip after attempting to sing  "I am 16, going on 17" and pirouette at the same time. Ahem.) Literary tours seems to be thriving. You can obviously go to Stratford-on-Avon or Greece  but you can also do the Lorca tour or the Yucatan tour or the Lost Generation of the Twenties Paris Tour.
 
Salon.com displaying one of their frequent displays of grandiosity now has something called the Literary Guide to the World. This just means a bunch of short essays about major books from a place that you can take with you when you visit the place. Right now it is rather irritatingly sketchy and not just because Martha’s Vineyard and West Texas, literary capital of the world is on the list but India is not. In South America only Chile is listed and in Africa only Togo and Zimbabwe. And its all super breezy and "here are your Amazon links". Harrumph.
 
When the settings of books have been well...imaginary, fans have contented themselves by creating the most gorgeous literary maps. (These are sometimes even better than the killer contoured military maps of the fantasy genre.) I am sure Harper Lee would be astonished at the number of sweet fervent adults and kids who have mapped Maycomb, the imaginary hometown of Scout and Atticus Finch.( Another Mockingbird map created as part of some online English course is very efficient and full of useful links but is scarily devoid of charm.)  An interesting pit-stop is the Library of Congress exhibition of literary maps such as the Beat Generation map, map of Black Writers for Young America and several interesting photographs collections of a literary persuasion. 

While people maybe stuck-up about admitting they took the Da Vinci Code tour there could be nothing more ‘yo’ than the New York Times literary map of Manhattan where “imaginary New Yorkers lived, worked, played, drank, walked and looked at ducks.” It’s a lovely thing full of quotes and references and links to reviews all compiled from reader submissions. You can see where Clarissa of The Hours stepped out to buy flowers, the streets where Chester Himes' ‘high yellow’ beauties stage-managed plots, where Harriet the Spy walked around seething with story, where Babar the elephant stayed when he came to America, where Don Corleone was shot, the brownstone where Nero Wolfe gorged and unraveled mysteries. If you are so inclined you can see where Gogol of the dull-Lahiri-ness romanced.
 
Another sort of map altogether. A tourist map of literature of interest only to the bored/addicted. Type in one of your favourite authors’ names. Zadie Smith, I say and around her name appears a shimmering constellation with Roddy Doyle, David Lodge, Toni Morrison, Anais Nin and dozens of names I don’t know but the site predicts I will like. I click on Roddy Doyle and a new constellation presents itself which has Billy Collins, Michael Cunningham and many of my favourites. Fun fun fun.
 
 
The cartographical possibilities in Indian literature are immense. One scholarly gent has mapped Malgudi (sadly not available online). Ms. Roy's Ayemenem is tangible sitting by the river as directed, hosting Palat Pickles (Paradise Pickles in the book), the History House and the mortal version of Ayemenem House. How about mapping Madna from English, August or Kanthapura or Bharat’s motorcycle trail from Delhi to Bangalore in The Truth About Bharat Almost? More ambitious would be the Mandala of Sherlock Holmes tour. Or a Kalidasa tour. What a lovely map would be possible of Mumbai with Rushdi, Vikram Chandra, Ramu Ramanathan, Rohinton Mistry, Arun Kolatkar, Anita Desai and Gregory David Roberts. (Aside: during the floods someone who did not want to brave and stoic anymore came up with this list of Alternative Bombay Book Titles)?
 
Mongoose and I once had a misunderstanding about locating fiction in Bangalore. Having lived here my whole life I can’t think why I should not locate fiction here and Mongoose whose mind runs along more analytical lines wanted to know how I did it in my two and half attempts. I dunno, Mongoose.
 
I was walking around yesterday and I was thinking what fun it would be to have so many books about where we live. My favourite fat-waisted tree in Cubbon Park would be the cold site of a murder at dawn. A romance would take place among the VV Puram food stalls, divorce in Basavangudi and farce in Koshy’s. Lamp posts and strange walls would remind you of books you read. Or maybe this is all there in new Kannada literature and I am missing out on all of it because I have read so little of it. *Note to self: Find out*
 
 
 

Sep. 15th, 2006

Aasai poetica

My 20 year old Snegum can’t sleep. We have not seen each other for a while and she lives a long bus ride away. She has abandoned college to the consternation of dozens of adults who have admired, coveted or worried over her beautiful cerebrum. She is happy to leave behind days of classroom numbness but what does she do with the world, in the world now? At midnight she announces on messenger that she is looking for the first step away from despair but if only she could sleep. She can’t sleep. And she can’t wake.


Sisterslut writes about how cyber-sex has turned tawdry and boring on her.  Where is the edge, the pleasure, the chase, the thrill. Where are the cuts, the wounds? Gaya says that in recent times she has only been reading only books on the Taylor series because it affects the earning of her oota. This from the girl who at 21 pragmatically said that she was alright with a 9 to 5 job if it let her buy the books she wanted. The coolest man I know (as defined by Pratchett’s Monks of Cool) was hurting last night. He had been comic, droll, witty, kind and well-informed in turns all evening and ruthlessly ignoring the knife in gut feeling of having seen a still-beloved ex-lover unexpectedly. Every few weeks he walks round a familiar innocuous corner and bumps into her. Then for days he feels like a corpse reanimated only to be pushed back into the grave.


This has been my happy year. It has also been my cut-my-losses year. But I have had years of insomnia, boredom, ex-marks-the-spot nausea. I am not smug enough to forget or believe that this happiness has been earned. And much that I am grateful for my carnival of friends I have come to believe that in the deepest despair we are still alone. And this is as it should be.


In the last two years I have read more poetry than I have in my entire life and all of us in the carnival have been trading poetry. Yards of perfect-for-that moment poetry. I was not conscious of it until last night when Snegum was describing in faltering words the recent return of insomnia. Absently I sent her the last stanzas of Naomi Shihab Nye’s poem “Two countries.” In another window Gaya was talking about how she stopped reading the taylor series texts and was happy to be reading with me AD Hope’s response to Marvell’s “To my Coy Mistress” Marvell was our idea of  wit when we were a few years younger. And to read AD Hope is like the cool re-assessment of a glamorous senior a few years after graduation.


Elsewhere SpellCheck and I were grinning because it was midnight and now Dilli was only 21 days away. Rilke says that he has been longing for his lover for so long that when he finally saw her he would just touch her like a long-thirsty traveler who is so moved by water that at first he only touches his wrists to water. Spellcheck is rendered breathless from the appropriateness of the poem for him right now.


I dreamily open another window to find some poetry to send to the Others.  I see a mail from Druthers saying, "Thank you for the Billy Collins, I think I will use it for class today." Druthers is a goddess-like creature who I was lucky enough to meet at 18. She taught me to take reading and writing seriously. I think of other 18 year olds whose world will rock faintly today with Druthers and Billy.


Snegum in the meanwhile has finished reading another Naomi Shihab Nye and says, “Poetry always seems to be there when I need it.” My dreaminess, my delirium disappears in a second. I read the line again and again. Even my inner cynical Mallu can’t be moved to protest the sentiment, so tentative it was and so perfectly sincere.


Snegum’s parrhesia quality has always managed to stop me short before committing the appalling or the banal. But here was the truth-teller saying something that just sharpened and sweetened a recent pleasure. The reading and sharing of poetry.


Sarita started my year on a brilliant note but wrings her hands and says, “When will you write something that is not so hopelessly book-drunk?” I am embarrassed and have made recent efforts to avoid turning my prose into the literary equivalent of a Manmohan Desai film. I am even managing to create a few pieces that quack like successful efforts.


But Sarita will excuse me while I clutch my hands fervently and offer multiple deities gratitude for the pleasure of poetry. Shouldn’t I be thanking Ondaatje and Billy Collins and Ramanujan and Wendy Cope and a legion of ink-stained elegant sculptors? I do. I thank you every day. But today I want to thank everyone who reads poetry and makes the sculptors real.  Thank you to whatzisnehim who professes absolute loyalty to Eliot but when reading aloud Neruda and Nazim Hikmet and cummings makes their poetry tangible and toothsome like one of his own gourmet meals. Thank you to the Charlie’s Angels whose custom is to quote poetry while cooking alu-gobi, running to dance lessons and writing another glorious iconoclastic footnote. Thank you to Bent who in matters of jazz and poetry likes them female, black and dyke. Thank you to Sisterslut who has a body like slow lightening and takes pleasure in writing and reading erotic verse. Thank you to Spellcheck who marvels at poems and delicious new laptops with equal  avarice. Thank you to ResoluteReader who whether surrounded by agit-prop, silk walls, beer-mugs or oil paintings turns his face away from dull writing to lively energetic, well-turned verse. Thank you to Allude who in this (as in all other matters) has catholic tastes and will sigh and growl over the bare-bones and the baroquely extravagant. Thank you to Druthers who takes fresh pleasure in a lovely quartrain after decades of reading. Thank you to the Bottle-Imp who dreamt up two ridiculous and real monsters with me yesterday after the rain and walked about under the wet trees reading aloud the worst poetry I have heard in years. Thank you to tafseer who is spartan and conscientious in all spheres of life but will shamelessly elope with even your favourite book of poetry.

And thank you to Snegum who through her struggles with sadness and her wild passions and her truth-telling reminds me that we have poetry and we may yet be alright.